Après la pluie, by Margaux Duseigneur, unfolds across three movements where the “after” is reinvention rather than collapse. Between visual poems and communal rituals, we move from edible landscapes and hand-shaped gardens to wild carnivals — joyful uprisings against violence — composing a tender, political ecology of care and collective life. The pages carry a strong pictorial charge, built in two superposed layers — pencil on tracing paper over color made with markers — so that forms stay supple, shifting, and alive; resilience appears in dreamlike, abstract modes, as if art and craft were answers to the present.